Following its interview with Yelena Akhtiorskaya, Bookforum published its review of the author’s debut novel, Panic in a Suitcase. As in many other books that take place in the post-Cold War age, the plot centers on a group of Ukrainian immigrants, fresh out of the former Soviet Union, who set up new lives in America. However, despite the subject matter, it’s a bit too reductive, Chloé Cooper-Jones writes, to classify the book as an immigrant novel. For more on the book, read Matthew Wolfson’s Millions review.
Here’s a fact that’s either very surprising or not surprising at all: Samuel Beckett didn’t want his letters to see the light of day. He once wrote to Barney Rosset that he didn’t care for “the ventilation of private documents.” Despite this disinclination, his third volume of letters comes out this week, and it includes, as detailed by John Banville in a review for The Irish Times, a letter in which Beckett asks that none of his plays be produced in Ireland. Pair with: our own Matt Seidel on Beckett’s "Echo’s Bones."
"That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up." Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris's essay on the riches of "white trash" literature.
Sudoku getting too easy, you say? Try making (or, rather, writing) one instead, like this nine-paneled comic that works across, down, or on a diagonal.
With the season five premiere of Mad Men fast approaching, now's as good a time as any to catch up on the intimate commingling of its main characters. Fortunately, the folks at Wired have organized the whole thing into a neat "Illustrated Guide to Mad Men Bed-Hopping."