Out this week: The Land of Love and Drowning by Tiphanie Yanique; Last Stories and Other Stories by William T. Vollmann; High as the Horses’ Bridles by Scott Cheshire; The Hundred-Year House by Rebecca Makkai; Tomorrow and Tomorrow by Thomas Sweterlitsch; A Brave Man Seven Storeys Tall by Will Chancellor; The Confessions of Frances Godwin by Robert Hellenga; Don’t Try to Find Me by Holly Brown; The Girls from Corona del Mar by Rufi Thorpe; Mr. Gwyn by Alessandro Baricco; Road Ends by Mary Lawson; and our own Edan Lepucki’s California (which you may have seen on Colbert). For more, go read our Great Second-half 2014 Book Preview.
“Other favorites I’ve found myself overusing include ‘she nodded,’ ‘she raised her eyebrows,’ and ‘she walked home slowly / she slowly walked home.’” Maria Murnane writes for the Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) about how to watch out for crutch words.
On Monday we mentioned that the MTA has started offering free e-books underground as part of its Subway Reads program, but they weren’t the first to make books an integral part of the public transit experience. London’s Books on the Underground was first, but then came a more interesting development in Australia: book ninjas. Books on the Rails is a gonzo experiment started by two Melbourne residents who began releasing free books – actual, paper books – into the wilds of the city’s tram system. About 300 books are currently in circulation in what’s possibly the world’s most open lending library.
The New York Times interviews Jacqueline Woodson, National Ambassador for Young People’s Literature and Tracy K. Smith, poet laureate of the United States for National Poetry Month. They discuss black history, bringing poetry to the central and rural parts of the country and to those who are incarcerated and why poetry isn’t as popular among adults. “Listening to music and lyrics and watching movies, I think, uses a lot of the same muscles we use in reading and experiencing poetry — and yet we somehow forget that we have those when it comes to sitting down with a book of poems.” It’s a delight, happy Saturday!
“Fantasy is a tool of the storyteller. It is a way of talking about things that are not, and cannot be, literally true. It is a way of making our metaphors concrete, and it shades into myth in one direction, allegory in another.” Neil Gaiman reviews Kazuo Ishiguro‘s The Buried Giant for the New York Times Book Review and considers the power, and risks, of fantasy. Pair with Ishiguro’s talk with The Telegraph about the 10 years since the publication of Never Let Me Go.