Out this week: The Land of Love and Drowning by Tiphanie Yanique; Last Stories and Other Stories by William T. Vollmann; High as the Horses’ Bridles by Scott Cheshire; The Hundred-Year House by Rebecca Makkai; Tomorrow and Tomorrow by Thomas Sweterlitsch; A Brave Man Seven Storeys Tall by Will Chancellor; The Confessions of Frances Godwin by Robert Hellenga; Don’t Try to Find Me by Holly Brown; The Girls from Corona del Mar by Rufi Thorpe; Mr. Gwyn by Alessandro Baricco; Road Ends by Mary Lawson; and our own Edan Lepucki’s California (which you may have seen on Colbert). For more, go read our Great Second-half 2014 Book Preview.
The media world is abuzz about a former Harper’s Bazaar intern suing parent company Hearst for allegedly violating labor laws for not paying her (With reactions ranging from “She’ll never work in this town again.” to “Good for her. It’s about time!”). At least she didn’t get sucked into HuffPo’s aggregation turbine.
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.
Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader — Ye Olde Romance That Could has more to it than you think.
A new kind of book review: 5 artists interpret and critique literature through works of visual art.