Somewhere along the way, the word “cool” became “the most popular slang term of approval in English.” Humanities has a pretty cool (hip, rad, dope, groovy, punk, hot, sweet) theory, tracing it as far back as Zora Neale Hurston’s collection Mules and Men, and the time when “cool was black… cool was jazz.” (Related reading: the most excellent Hepster’s Dictionary (pdf) of 1939 jive talk, and our own history of the slang word “like.”)
On “Cool”
For Franzen Haters
Do you hate Jonathan Franzen (and/or contemporary literature generally)? Then you’ll love B.R. Myers‘ take on him at The Atlantic.
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Showtime Confirms
I reported earlier that Franzen’s Purity was headed to TV with Daniel Craig front and center. Now, Showtime has officially sealed the deal. Production is expected to begin in 2017. Revisit our editor Lydia Kiesling’s review of the book to prepare for the series.
Tuesday New Release Day: Pochoda, Schine, Bolaño
New this week: Visitation Street by Ivy Pochoda, Fin & Lady by Cathleen Schine, and, available for the first time ever as ebooks, Roberto Bolaño’s masterpieces 2666 and The Savage Detectives. There are many, many more anticipated books on offer in our big second-half preview, published this week.
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McSweeney’s Column Contest
McSweeney’s is accepting entries for their 3rd Annual Column Contest.
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The Austen Effect
Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
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Geoff Dyer on Pagetti’s Syria
The devastating images of Syria shot by Franco Pagetti have been collected into a series entitled Veiled Aleppo. Over at The New Republic, Geoff Dyer writes about one of them. It’s an image, Dyer observes, that features “symbols … of the death throes not of a city but of film.”
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The Secret Space of Diaries
For the New Yorker, Morgan Jerkins reviews Helen Oyeyemi’s What Is Not Yours Is Not Yours and considers what keeping a diary means for “a black woman in a white world.”
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