Electric Literature has a fantastic interview with “viral poet” Patricia Lockwood, author of “Rape Joke,” new book Motherland Fatherland Homelandsexuals, and this prophecy: “We’re going to have something in the future that is so much more revealing than tit pics, and we don’t even know what it is yet.” Pair with: today’s new Millions piece on publishers’ struggle to turn the love of poetry into poetry sales.
"Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says." Adam Fleming Petty on "Writing from the Nowhere State."
Mixer Publishing wants more of your sex, violence, and satire. They've just extended their contest deadline--for fiction, poetry, and graphic stories--to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
Doors of Perception author Aldous Huxley requested a dose of LSD as he succumbed to laryngeal cancer in 1963. Three weeks later, Huxley’s widow, Laura Archera, wrote a letter describing the experience (“the most beautiful death”) to her brother-in-law. Today the prescription of psychedelic drugs to terminally ill patients is less uncommon than you might expect.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
The New York Public Library’s research collection will be moving to an impressive concrete bunker beneath Bryant Park (instead of the much protested option—New Jersey). Our own Michael Bourne writes about how the subway car, once a rolling library, is transitioning to digital.