Our own Bill Morris (the man Michiko Kakutani once compared favorably to John Updike) is hitting the road in support of his novel Motor City Burning, and you can catch him now as he swings through the South before heading to the Midwest. Elsewhere, see what Detroit’s hometown paper learned from Bill about a novel that mines the city’s fractious history.
Bill Morris on the Road
Medieval Marginalia
“Now I’ve written the whole thing; for Christ’s sake give me a drink.” Lapham’s Quarterly has collected some medieval marginalia, much of which feels very modern indeed. Pair with Sam Anderson‘s “A Year in Marginalia.”
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Everyone Came to Elaine’s
New York Magazine breaks down the 100+ framed book covers that bedecked the walls at the late, great literary hangout, Elaine’s. Selections range from Bob Newhart to Renata Adler to George Plimpton (natch).
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How Many Loans Did This Take?
Meet Michael Nicholson, the 71-year-old Michigan man who’s earned 29 college degrees. I guess somebody hasn’t read the latest issue of n+1.
Science Fiction’s Race Problem
How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
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Please, Sir, I’d Like Some More Time
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
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Michiko Kakutani on Jonathan Franzen’s “Freedom”
At The New York Times, Michiko Kakutani gets in an early review of Jonathan Franzen’s Freedom, heralding it “his most deeply felt novel yet.”
very good book brought back a lot of memories my family and i where shoping on gratt 8 mile but you never said anything about take over of bell is in the late 40