Our own Bill Morris (the man Michiko Kakutani once compared favorably to John Updike) is hitting the road in support of his novel Motor City Burning, and you can catch him now as he swings through the South before heading to the Midwest. Elsewhere, see what Detroit’s hometown paper learned from Bill about a novel that mines the city’s fractious history.
“… Stop talking about diversity and start decolonizing our shelves.”At the Winter Institute 2018 (Wi13), keynote speaker Junot Diaz lambasted the publishing industry for talking — but doing little else — about diversity in literature, and implored librarians and booksellers to fill their shelves with diverse books. From our archives: an essay on race, gender, and Diaz’s writing.
It’s a bumper crop of new books this week: Hari Kunzru’s Gods Without Men, Kathryn Harrison’s Enchantements, László Krasznahorkai’s Satantango (reviewed here), and Adam Levin’s Hot Pink. Also out this week are Alain de Botton’s Religion for Athiests and Jonathan Safran Foer and Nathan Englander’s New American Haggadah.
Those of you with more than a passing familiarity with the Brothers Grimm will know that classic fairy tales were often dark and macabre. They’re considerably more frightening than the sanitized versions we read to our children today. At Salon, Maria Tatar talks to Laura Miller about her translation of The Turnip Princess, a new collection of previously undiscovered fairy tales. Sample quote: “There isn’t that strict division of gendered labor that you find in the Grimms.” You could also read Kirsty Logan on the trouble with fairy tales.
Legendary jazz musician and composer Cal Massey receded from active performance in the 1950s in order to concentrate on composition. His works went on to be recorded by John Coltrane, Lee Morgan, Freddie Hubbard and many other greats. To honor his indelible mark on jazz music and African-American culture, Fred Ho and Ben Barson will present a series of concerts in Harlem’s Red Rooster restaurant. Barson also wrote a lengthy introduction to Massey’s life and legacy.
“Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess.” From Catapult, the latest installment of “After a Fashion,” writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.