Our own Bill Morris (the man Michiko Kakutani once compared favorably to John Updike) is hitting the road in support of his novel Motor City Burning, and you can catch him now as he swings through the South before heading to the Midwest. Elsewhere, see what Detroit’s hometown paper learned from Bill about a novel that mines the city’s fractious history.
In 2013, only 93 of 3,200 children’s books were about black characters, according to a new study. “Children of color remain outside the boundaries of imagination,” Christopher Myers writes about the absence. In a follow-up piece, his father and fellow author Walter Dean Myers examines the paralyzing effect under-representation can have on readers. “Books did not become my enemies. They were more like friends with whom I no longer felt comfortable. I stopped reading,” he writes.
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
Got a smartphone? Check out the new Sonnets by William Shakespeare app to receive 154 poems, scholarly annotations and criticism, as well as special sonnet performances from such notables as Sir Patrick Stewart. Revisiting The Bard of Avon’s verse will prove so pleasurable; you’ll probably forget altogether that he was a self-plagiarist way before Jonah Lehrer.
Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)