To encourage first edition sales of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage, his publishers are going to include “a special sheet of stickers designed by five Japanese illustrators.” If that sounds as corny to you as it does to me, then consider the fact that the book likely does not need any real marketing strategy whatsoever: when it came out in Japan, it sold over a million copies per week.
"'There's no success like failure,' Bob Dylan once sang – but he couldn't have envisaged the international notoriety that bad art would achieve in the digital age. Mark O'Connell's Epic Fail gleefully hops genres and centuries in a quest to understand our obsession with lameness. Clever, profound, bitingly funny, it's a brilliant analysis from one of the smartest new critics around." — Paul Murray, author of Skippy Dies
"He wrote the first drafts by hand, and when that became too difficult, dictated sections of the book into a tape recorder." Before his death in July, playwright and actor Sam Shepard wrote a novel called Spy of the First Person, which is forthcoming from Knopf in December. From our archives, a list of writers who also act.
At 1,700 words, J.K. Rowling’s new “History of the Quidditch World Cup” may not be as daunting a read as J.R.R Tolkien’s The Silmarillion, but what it lacks in length it makes up for in its appeal to ardent fans. At Slate, a brief look at the Wizarding World’s latest reference book.
New this week: The High Mountains of Portugal by Yann Martel; The Book of Memory by Petina Gappah; Youngblood by Matthew Gallagher; Black Deutschland by Darryl Pinckney; The Collected Novellas of Stefan Zweig; A Decent Ride by Irvine Welsh; Don't Lose Track by Jordannah Elizabeth; and The Queen of the Night by Alexander Chee (who we interviewed this week). For more on these and other new titles, go read our Great 2016 Book Preview.