Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)
Book to movie news: Soon to hit theaters is a big-screen take on Allen Ginsburg’s Howl, focusing on the obscenity trial Ginsberg faced after the publication of the poem and starring James Franco as Ginsberg (alongside Jon Hamm and Jeff Daniels). (The trailer). The film includes an animation of the poem itself by illustrator Eric Drooker. Art from the animation has been collected in a new book under the title Howl: A Graphic Novel.
If you have a blog, you’ve probably fielded suggestions from your relatives about what you should write, who you should write about and what personal issues you should address in your posts. At The Hairpin, Michelle Markowitz shares a conversation with her mother on the subject.
New this week: The State We’re In by Ann Beattie; Who Do You Love by Jennifer Weiner; The Beautiful Bureaucrat by Helen Phillips; The Race for Paris by Meg Waite Clayton; In The Language of Miracles by Najia Hassib; Still Life Las Vegas by James Sie; and Subway Stations of the Cross by Ins Choi. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.