Here’s a double-shot of television news: Darren Aronofsky is said to be developing Margaret Atwood’s MaddAdam for HBO, and AMC has ordered an adaptation of Philipp Meyer’s The Son (which has been holding steady on our Top Ten).
Margaret Atwood and Philipp Meyer Headed to the TV Screen
What’s the Point
Recommended reading: What’s the point of handwriting, anyway?
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“Tongue-in-Cheek Tocqueville”
“‘So your idea is to drive across America and write about it without talking to a single American?’ ‘Yes.'” Karl Ove Knausgaard travels North America as “a tongue-in-cheek Tocqueville” for the New York Times Magazine. Pair with his piece for The Millions, “The View from My Window is a Constant Reminder,” and with Jonathan Callahan‘s reading of Knausgaard’s My Struggle.
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From the Department of Prehistory
This week in palaeontology: “…how did 30-ton animals larger than four-story buildings have sex?”
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A Confession
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
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Haiti: Before and After with Edwidge Danticat
Claire of the Sea Light author Edwidge Danticat remarks upon the “split between the Haiti of before the earthquake and the Haiti of after the earthquake” in her interview with Guernica’s Dwyer Murphy. Her latest novel was featured in our Great Second-Half 2013 Book Preview.
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