Here’s a double-shot of television news: Darren Aronofsky is said to be developing Margaret Atwood’s MaddAdam for HBO, and AMC has ordered an adaptation of Philipp Meyer’s The Son (which has been holding steady on our Top Ten).
Margaret Atwood and Philipp Meyer Headed to the TV Screen
The Bechdel Test Through History
Sometime Millions contributor Frank Kovarik takes a look at Alison Bechdel’s famous test for gender bias in movies and applies it to literary classics going back to Homer.
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Libraries: Future and Present
“Flooded with data as we are, each day brings even more innovations and technologies to help us mine, sort, and generate even more information. Asking about the future of libraries is another way of asking where this big, hot mess of information is taking us.” Justin Wadland reviews three books on libraries and attempts to predict the future of these institutions in a piece for the Los Angeles Review of Books. Meanwhile, Florida Polytechnic University has just opened and its library has no books at all.
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DJ Poet Laureate
California poet laureate Juan Felipe Herrera dropped in on NPR as guest DJ last week, and you can listen to the full thirty-minute radio show, as well as five of the tracks he played.
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Six Plots
We are all by now familiar with J.K. Rowling‘s elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let’s say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”
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The Poet’s Novel
Do poets make great novelists? Naja Marie Aidt, a phenomenal poet-novelist herself, picks her favorite novels by poets, featuring Anne Carson’s Autobiography of Red, Ben Lerner’s Leaving the Atocha Station, and more.
“Surprise attacks”
Last week, I pointed to former Millions-er Emily M. Keeler’s review of Wolf in White Van, the new novel by John Darnielle of The Mountain Goats. Now, at Slate, Carl Wilson offers his own praise of the book, which he describes as “not the kind of rallying cry or dark comfort that Mountain Goats fans are used to, but a complex meditation.”