Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
The Millions turned nine years old this past weekend. I want to thank the writers, editors, and interns for another great year. And I especially want to thank our smart, passionate, and engaged readers for continuing to make The Millions such a fulfilling project for all of us.
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.
Fans of Mary Karr‘s The Liar’s Club and Cherry: At the New York Times Book Review, Susan Cheever describes Karr’s latest memoir, Lit, as “the best book about being a woman in America I have read in years.”
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Remember when Colson Whitehead wrote about his experiences at the World Series of Poker? Well, the Zone One author is back at it again, but this time with dispatches from London’s Olympic Village. I wonder if he’ll share any gossip about Vince Vaughn and the US Women’s Soccer team…
Out this week: Five-Carat Soul by James McBride; Unforgivable Love by Sophfronia Scott; Brother by David Chariandy; The Second Sister by Claire Kendal; and Go, Went, Gone by Jenny Erpenbeck. For more on these and other new titles, go read our most recent book preview.
Blue Ivy was the one who made the headlines, but she’s not the only Beyoncé Knowles story this week. Australian researcher Bryan Lessard has paid tribute to the singer by incorporating her name into the binomial nomenclature of an extremely rare horse fly. When asked why he did this, Lennard responded that the fly’s gold-colored abdomen made it “the all time diva of flies.”