Last year, I pointed readers to Numero Cinq, a new Canadian lit mag with a notably memorable tagline. In the latest issue, which is split into seventeen parts, Benjamin Woodard talks with Lydia Davis about her Flaubert translation, her new story collection and the art of writing while traveling. (h/t The Rumpus)
Lydia Davis, Ctd.
OWS Drummers Quiet Down
Last night at the General Assembly, the working group of drummers, Pulse, in a spirit of conciliation and generosity, brought forward a proposal to limit their drumming from 12 to 2 and 4 to 6 pm only.
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The Fictive Wallpaper
Artist Julia Callon creates dioramas inspired by nineteenth-century works of fiction such as Jane Eyre and “The Yellow Wallpaper.”
The Poet Carried No Revolvers
Recommended Viewing: Go and check out the delightfully illustrated comic “Amiri Baraka Is in Contempt” by Nathan Gelgud at The Paris Review.
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One With Others
“She was to me and so many poets an exemplary and inimitable figure. And I mean to emphasize the tension between ‘exemplary’ and ‘inimitable’—what her example taught us was the necessity of going our own way, of being one with others.” Ben Lerner remembers C.D. Wright, who passed away earlier this week.
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How 3d Projectors Make 2d Movies Worse
Roger Ebert explains how the time-consuming process of changing the lenses on complicated new 3d projectors is diminishing the theater-going experience.
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Note to English Majors: Calm Down
Members of the Guild
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
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