If your characters go on a road trip, do you have to take one, too? When Mary Miller wrote The Last Days of California about a family driving from Alabama to California to meet the rapture, she hadn’t even been to the desert herself. To ensure it was accurate, though, she mapped important destinations on the route. “For Western Louisiana, I thought, ‘Is there actually a Waffle House within forty miles of this border?’ because I wanted it to be accurate. So I had maps, and I was tracking mileage,” she told Down & Out.
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
"Maybe everything is an organized mess at high speed": in one of the more deeply buried leads in history, Brad Listi announces The Nervous Breakdown's new publishing imprint. And yes, I could just send you to the official press release, but I loved this piece.
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet's latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author's knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.