When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
Get ready for the return of Breaking Bad by reading Michelle Kuo and Albert Wu in the LARB, and also by reading Max Rivlin-Nadler’s piece in The Nation. Or, if you want to take a walk down memory lane, check out Chuck Klosterman’s piece from last year in which he convincingly argued that Walter White’s odyssey makes for best drama on television. Lastly, here’s some good news for those among you who subscribe to DirectTV and are thus locked out of AMC: you can stream tonight’s episode on the company’s website.
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
In The New York Times, Dwight Garner reviews John Carey’s biography William Golding: The Man Who Wrote “Lord of the Flies”: “It may not be a surprise to learn that the British novelist … did not have a happy childhood. But the details will put a sweat on your forehead.”