The Big Friendly Giant is coming to the big screen. Steven Spielberg will direct a live adaptation of Roald Dahl’s classic book The BFG about a little girl and a friendly giant trying to stop his friends from eating children. If you had any doubt that Spielberg could bring sympathy to a mythical creature, he’ll be pairing up with E.T. screenwriter Melissa Mathison again.
In May, poet David Lehman wrote the first line of a sonnet about cubicle anomie and began crowdsourcing the rest. The completed 12-week project at The American Scholar is not merely a pretty great piece on its own, but a lesson in how to write one, line by line: 2, 3, 4, 5, 6, 7, 8/9, 10, 11, 12, 13, 14. You can submit your title suggestion as late as midnight on Sunday, but we suggest getting a start on it now, while the prison of work is still fresh in mind. (h/t The New York Times)
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)
Why is Hamlet so maddeningly indecisive? It’s a question as well-trod as any in literature, yet few people question that dithering is what defines the Prince of Denmark. In The Irish Times, Brian Dillon looks at another way of thinking about the character, one laid out in a recent book, that centers on the idea that Hamlet is crippled by “the burden of knowledge itself.”