Paul Thomas Anderson’s cinematic adaptation of Thomas Pynchon’s Inherent Vice now has an official release date. That’s right. Starting December 12th, you’ll be able to catch Joaquin Phoenix starring as ‘60s stoner P.I. Larry “Doc” Sportello.
Last week, I directed you to Catie Disabato’s Thick Skin interview at 0s&1s. This week, Year in Reading alum Laura van den Berg joins them for the latest installment of the series, in which authors address their critics. We also recently interviewed van den Berg following the release of her first novel, Find Me.
Can’t wait for Haruki Murakami’s new novel? You’re in luck: Slate just published an exclusive excerpt from the book. Sample quote: “No matter how quiet and conformist a person’s life seems, there’s always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.” (You could also read Ben Dooley’s review of 1Q84.)
“Writing on a computer can be terribly distracting, so sometimes I like to use a pencil and paper to jot down ideas. I always end up drawing a cartoon duck. Inevitably, the duck is holding a notepad, and I can read the ideas that he wrote down.” At Clickhole, six writers explain how they overcome writer’s block.
"Wallace’s fiction contains enormous cruelty... But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves." Chris Power considers David Foster Wallace's short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.
At My Life and Thoughts, Elif Batuman--in delightfully Elifish style--describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.