Samantha Chang, the director of Iowa’s Writing Workshop, weighed in on the Girls storyline in which Lena Dunham’s character gets accepted into the school’s MFA program. “It’s very possible that she could have gotten in,” Chang says of Hannah Horvath, Dunham’s character. Meanwhile, University of Iowa officials have apparently denied the HBO show’s request to film on-campus for its next season.
Hannah Horvath is headed to Iowa’s Writer’s Workshop. Or is she?
Missing Home
Recommended Reading: Sally Koslow on the end of Ladies’ Home Journal.
Haruki Murakami: Master of Blandness
Over at Threepenny Review, Jess Row expounds on "blandness" in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
William S. Burroughs Films
In case you're looking for something to read this Sunday, check out seven William S. Burroughs films and interviews.
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Secret Machines
Recommended Reading: Cody Delistraty's interview with Kazuo Ishiguro. You could also read our own Lydia Kiesling on the author's new novel The Buried Giant.
Tuesday New Release Day: Shamsie; Kobek; Bordas; Goldstein; Sexton; Barzini; Yoon
Out this week: Home Fire by Kamila Shamsie; The Future Won’t Be Long by Jarett Kobek; How to Behave in a Crowd by Camille Bordas; The World Broke in Two by Bill Goldstein; A Kind of Freedom by Margaret Wilkerson Sexton; Things That Happened Before the Earthquake by Chiara Barzini; and The Mountain by Paul Yoon. For more on these and other new titles, go read our most recent book preview.
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The Rest of the Story
In this week's New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
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The Sorrows of Lot
At The Rumpus, Kate Angus argues that salt, far from being simply a pillar of the spice trade, is in fact “the physical manifestation of the basic triad of our lives: love, work, and grief.”
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“It’s very possible that she could have gotten in,”
Yes, because enrolling a fictional character in an MFA workshop will give the other students models to observe when they create their own fictional characters.