Last week, Erin Fortenberry reviewed Walter Kirn’s Blood Will Out for The Millions, writing that the events in the book were partly centered on Kirn himself. Now, in the Times, Janet Maslin reads the book, which struck her as “primarily a tale of seduction.”
Amidst all the sad tales of great bookstores going under, the Strand remains a fixture of the New York lit scene. At Vulture, Chris Bonanos explores the many reasons why the Strand is still afloat, among them the store’s increasing sales of new books. You could also read our own Janet Potter on her lifelong infatuation with bookstores.
“She was furious about the way the female college students of the next generation had been programmed to regard getting an MRS. degree as the be-all and end-all of their experience in higher education. She was enraged by the way the psychiatric profession regarded housewives’ unhappiness as a symptom of an out-of-whack libido. She was angry at the way the economy appeared to see her entire sex as simple consumption machines who built national prosperity by buying new appliances for the kitchen and searching madly for the perfect laundry detergent.” Betty Friedan’s second wave classic The Feminine Mystique turns fifty.
What’s the deal with all of the novels about famous writers? Perhaps it has to do with the fact that, according to Heller McAlpin at The Literary Hub, “there’s a special frisson of pleasure in reading about writers’ early struggles when you know what the future holds for them—which in the case of most of these authors is posthumous literary acclaim beyond their wildest dreams.”
“Memoirism is perfect if you’re new to autobiographical writing and want an easy and enjoyable way to tell your story without necessarily having to live it. The software allows you to create memories that appear up to 99% accurate, so you can focus on your home, school, or work.” On a revolutionary new writing tool.