Now that we’ve casted the film adaptation of Donna Tartt’s The Goldfinch, we’d like to turn your attention to Chimamanda Ngozie Adichie’s Americanah, which may be involved in an upcoming collaboration with Oscar winner Lupita Nyong’o. Adichie framed the possibility this way in a recent interview: “I’m going to do the mysterious thing and say that Lupita might be making an announcement very soon.”
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.
We tend to assume that life stories, in mentally healthy people, are concrete things, assembled from events that are hard to twist or distort. Yet all of us shape our own stories in ways we can’t always see. At The Atlantic, Julie Beck explores the idea that life stories, as we construct them, form integral parts of our personalities.
Legend has it that Hemingway, after reading a review of his work that he didn’t like, strode into the reviewer’s office and slapped him across the face with a book. Upset over a line that questioned his bravado — the line compared his writing style to “wearing false hair on the chest” — Hemingway tore off his shirt to prove his chest hair was real. This week, The New Republic republished the article that started the fight. (For a lighter take on the author, you could read Stephanie Bernhard on cooking recipes in Hemingway’s fiction.)
It’s only fitting that Baltimore’s City Paper has an exclusive excerpt from Carsick, the new book by Charm City’s Chosen Son, John Waters. After all, they did offer him some of their weed. Meanwhile, the Pope of Trash recently invited New York Magazine on a hitchhiking ride through Manhattan, his home away from home.