Getting a director for Stephen King’s The Stand was almost as difficult as surviving the virus. The latest director to try is Josh Boone, who is no stranger to adaptations because he’s bringing The Fault in Our Stars to screen. To brush up on your King, read our essay on learning about America through his novels.
In 2006, Gene Luen Yang became the first graphic novelist to be nominated for a National Book Award. Yang earned a nomination in the Young People’s Literature category for the graphic novel American Born Chinese. Now Yang has been nominated a second time, again in the Young People’s Literature category, for a new book, Boxers and Saints. Francoise Mouly and Mina Kaneko talk with Yang at Page-Turner. (You can also read our interview.)
“When we read a book that requires that effort — when the act of reading becomes rigorous and self-aware, rather than effortless and transparent — we get to have a history with what we’ve given ourselves to, a history etched into us by the demanding friction of its difficulty.” Zoë Heller and Leslie Jamison debate whether or not we overvalue difficult literature in The New York Times.
In the annals of Southern literature, Elizabeth Spencer isn’t as well-known as Faulkner or Flannery O’Connor, but she is, Wilton Barnhardt writes, “one of America’s best short-story writers.” The 92-year-old author’s new collection marks “65 years and counting of superb writing,” he argues.
“I thought it was going to be a short novel, that it was one person’s story. But I was wrong, because history is always shaping everything.” The New York Times reviews Marlon James's latest novel, A Brief History of Seven Killings, which we covered in our "Great Second-Half 2014 Book Preview."