David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
“Loss isn’t science; it’s a human reckoning.” The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O’Rourke on why we write about grief, following the release of Oates’ memoir A Widow’s Story and in anticipation of O’Rourke’s own memoir of loss, The Long Goodbye.
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
“I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?” New short fiction from Ted Chiang over at Electric Literature (and introduced by Year in Reading alum Karen Jay Fowler)! Pair with our encyclopedic survey of primate lit.
As if the guy needs any additional distractions to keep him from writing the seventh (or eighth!) books in his Song of Ice and Fire series, George R. R. Martin recently decided to join Twitter. If he ends book six with ¯\_(ツ)_/¯, then I presume you’ll know why.
Out this week: My Lost Poets by Philip Levine; Orphans of the Carnival by Carol Birch; These Are the Names by Tommy Wieringa; A Poet’s Dublin by Eavan Boland; and Against Sunset by Stanley Plumly. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
What would the child of The Big Lebowski characters The Dude (Jeff Bridges) and Walter Sobchak (John Goodman) look like? Maybe like Lt. Col. Django (Bridges, again), one of the characters in Grant Heslov‘s The Men Who Stare at Goats, set to release in November, a comedy about the U.S. military’s attempt to train psychic soldiers (based on the book by Jon Ronson).