Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
Tala Tubaris
And the Pulitzer, What’s Up with That?
At Slate, Katy Waldman asks a simple question: what the heck is the point of the National Book Awards, anyway?
●
●
Strike Back
"What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed." At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
Rachel Kushner and the Costa Concordia
Recommended reading: Rachel Kushner writes about the Costa Concordia disaster, cruise ships in general, and her own short-lived "aspiration to spend time at sea as requisite literary training" for The London Review of Books.
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
The Remains of the Screen
"Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?" Kazuo Ishiguro on film, and other novelists' second-favorite art forms.
●
●
Choose Your Own Literary Dystopia
Which dystopian future is right for you? Kurt Vonnegut’s? George Orwell’s? Margaret Atwood’s? Take Flavorwire’s simple quiz to find out!
“Forgiven for Being Human”
“'When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,' Mr. George said. 'It may simply come down to wisdom. Like the greats, Edith has it.'" Steve Almond gives an overview of Edith Pearlman's writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
Unread Classics
Admit it: you never finished Finnegans Wake, did you?
●
●
Kilkenny College still exists about a hundred miles east of where I live in Ireland, but I’m probably over the entrance age. As for his letters, I suspect Swift, and many other writers in the past, would have loved emails!