Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
Tala Tubaris
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“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
I Doubt The Authors Would’ve Been Thrilled With This
Deep South Magazine's Hunter Murphy compiled a list of "The Greatest Bromances in Southern Literature."
Paul Murray on Epic Fail
"'There's no success like failure,' Bob Dylan once sang – but he couldn't have envisaged the international notoriety that bad art would achieve in the digital age. Mark O'Connell's Epic Fail gleefully hops genres and centuries in a quest to understand our obsession with lameness. Clever, profound, bitingly funny, it's a brilliant analysis from one of the smartest new critics around." — Paul Murray, author of Skippy Dies
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You Will Survive
“You can only advocate for yourself when you know what it is you want from the experience. You’d be surprised by how many people go into this process and are unclear about what they hope to get out of it.” Over at the Amazon Author Insights blog, Katrin Schumann offers a checklist of seven tips to survive submitting your writing to editors, including this note about articulating your goals beforehand. (Ed. note: Amazon helps us pay the bills around here!)
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Tuesday New Release Day: Perotta, Johnson, Pelecanos, Torres, Fonts, Murray
New this week: The Leftovers by Tom Perotta, Train Dreams by Denis Johnson, The Cut by George Pelecanos, Justin Torres's debut We the Animals, and Just My Type: A Book About Fonts. And new in paperback is Millions Hall of Famer Skippy Dies by Paul Murray.
Too Dark for TV
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it's too interior or there's not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don't know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, "Is American Literature Too Dark for TV?"
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Why?
Jesse Eisenberg’s nephew has a few questions for him in The New Yorker. Listen to Eisenberg read a piece of his new book, Bream Gives Me Hiccups, and face existential doubt in Shouts and Murmurs.
Kilkenny College still exists about a hundred miles east of where I live in Ireland, but I’m probably over the entrance age. As for his letters, I suspect Swift, and many other writers in the past, would have loved emails!