Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
Tala Tubaris
The Artist as Activist
"No one was more grimly adamant that the world was in mortal peril, or had more fun trying to save it from itself." Over at The New Yorker's Page Turner blog, Alexandra Schwartz considers the life and work of Grace Paley, noting that Paley's slim output "is a great shame, if not so surprising. Activism, like alcoholism, can distract a writer from the demands of her desk." Also of note: this tribute to Paley that our own Garth Risk Hallberg wrote upon her death in 2007.
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DFW, Edited
The changes between the transcription of David Foster Wallace reading 'A fragment of a longer thing' in 2000 and the version of that story 'Backbone' as published in the recent New Yorker. (via The Paris Review)
Digital Eustace
Sparksheet interviews Blake Eskin, the New Yorker's first and only web editor, who shares the venerable magazine's unique approach to having an online presence. (via)
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What Soderbergh is Reading
Remember back in 2011 when Steven Soderbergh made that list (PDF) of every movie, TV show, book, play and short story he had watched that year? Well according to his recent interview with New York Magazine, the book he most recently finished is Paul Murray’s Skippy Dies. (And what a coincidence! The book Murray most recently blurbed is Epic Fail, our first Millions Original.)
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Parting Is Blah Blah Blah
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily's correspondent, had this to say: "It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive."
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A Front-Row Seat
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
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“Bad Neil Gaiman”
Recommended watching: Neil Gaiman reads "bad Neil Gaiman" stories.
The Starship Lands
Sarah Blake has completed her twelve-part illustrated epic poem, The Starship, at Berfrois. Pair with our essay on why Americans read poetry but won’t buy poetry books.
Kilkenny College still exists about a hundred miles east of where I live in Ireland, but I’m probably over the entrance age. As for his letters, I suspect Swift, and many other writers in the past, would have loved emails!