Our own Edan Lepucki (who has a novel coming out soon, by the way…) interviewed four of the finalists for this year’s National Book Awards: Tenth of December author George Saunders, The Lowland author Jhumpa Lahiri, The Good Lord Bird author James McBride, and The Flamethrowers author Rachel Kushner. We reviewed both Saunders and Kushner’s works here and here, respectively, and you can also take a look at the rest of the NBA finalists over here.
In an interview with the Guardian about Canada, Richard Ford talks about America: “I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.
“Limits stop you from living a life without limits,” writes Augusten Burroughs. “Of course, this is only an illusion. What limits really do is give you an acceptable excuse to avoid doing something.” (He’s talking about life, not Oulipo.) The piece is excerpted from his recent book, This Is How.
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
Infographic of the Week: Famous authors had day jobs, too. Check out this infographic from Adzuna to find out what J.M. Coetzee, George R.R. Martin, J. K. Rowling, and more did before (or while) they published novels. Our own Emily St. John Mandel writes about the struggle to balance a day job and a creative life.
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.