Congratulations to Millions staffer Edan Lepucki, who sold her debut novel California to Little, Brown at auction this week. The novel, which Edan refers to as “Novel #2” in her article “What Happens When a Book Doesn’t Sell,” will follow a young married couple grappling with a post-apocalyptic world. Consider us extra relieved given Edan’s proclamation in that article: “And this new book, it will be published. If it doesn’t, well, I’ll just die.”
“If you lack a competent distributor down here, then consider me at your service. Nothing would make me happier than to drive Salems off the market for good and ever. It’s without a doubt the foulest cigarette in the history of tobacco-addicted man—a tasteless mish-mash of paper and dry weeds.” Boy, Hunter S. Thompson really hated Salems.
“What love does in this union is dark and difficult and glorious — and stands on the side of life; who would dare or even want to guess more about it than that; and indeed, you will experience it. Certainly not without interruptions and doubts.” Lou Andreas-Salomé’s poignant advice on love and art to none other than Rainer Maria Rilke is certainly Valentine’s Day-appropriate.
All the world is about to become a stage. The Globe Theatre will be performing Hamlet in every country on Earth starting on April 23, 2014, Shakespeare’s 450th birthday. The 205-nation tour should take two years. This is one of many Shakespearean anniversary celebrations including contemporary authors covering his classics.
With the preliminaries out of the way, The Morning News Tournament of books unveils its first head-to-head matchup today, Teddy Wayne’s Kapitoil versus Jonathan Franzen’s Freedom. Don’t miss the commentary that accompanies each judgment (some say it’s the best part of the whole thing.)
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. “They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home.”