You can read the entire first chapter from László Krasznahorkai’s latest novel, Seiobo There Below. We reviewed the work on our site last month. Meanwhile, the Hungarian author has recently received an unwelcome invitation. As literary scholar Tibor Keresztúry notes (via George Szirtes’s translation), “a certain G Fodor Gábor, the strategic director of the Századvég (Century’s End) Foundation … suggests that [Krasznahorkai] should shoot himself in the head.”
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
New this week: Flings by Justin Taylor; We Are Not Ourselves by Matthew Thomas; The Story Hour by Thrity Umrigar; Sweetness #9 by Stephan Eirik Clark; The Undertaking by Audrey Magee; Dear Committee Members by Julie Schumacher; and a new translation of a French children’s book by Lydia Davis. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Amazon released their annual Best Books of the Year: Top 100 in Print list today (as well as a free and helpful Reader’s Guide), and numerous Millions favorites made the cut. Both George Saunders’s Tenth of December and Philipp Meyer’s The Son cracked the top 10. We reviewed both here and here, respectively. Other notable books boasting extensive Millions coverage include Meg Wolitzer’s The Interestings (review), George Packer’s The Unwinding (review), Eleanor Catton’s The Luminaries (review), Dave Eggers’s The Circle (review), James Salter’s All That Is (review), Karen Russell’s Vampires in the Lemon Grove (interview), Stuart Nadler’s Wise Men (review), Colum McCann’s TransAtlantic (review), and Colm Tóibín’s The Testament of Mary (review). Meanwhile, the top spot belongs to Donna Tartt’s The Goldfinch.
James Hynes discusses the books he read when writing his latest novel, Next: “I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character.”