New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
A detailed analysis of F. Scott Fitzgerald‘s tax records, obtained from his estate, at The American Scholar. William J. Quirk scrutinizes Scott’s financial ledgers from 1919 to 1940, including short story royalties, expenses relating to wife Zelda, and his years spent in Hollywood. Indeed, you are what you spend.