ICYMI, J.J. Abrams (of Lost and Star Trek fame) will release a novel — conceived by Abrams and written by Doug Dorst — in October with the enigmatic title of S. Last month, he released the first half of a teaser trailer; this week, he released the second half.
The S Monster
Dear Alice
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
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December Stories
Recommended Reading: The fall issue of December is out, featuring works by Grace Cavalieri, Jesse Lee Kercheval, Marge Piercy, and our own Michael Bourne.
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Failsafe
In 1979, William Gaddis taught a course at Bard College on “The Literature of Failure,” examining works that somehow focused on personal failure or insufficiency. These included, among other books, Joan Didion’s Play It as It Lays, as well as Dale Carnegie’s How to Win Friends and Influence People. In Bookforum, Casey Michael Henry takes on a related genre: the literature of obsolescence. You could also read James Cappio on meeting Gaddis in person.
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If I Were a Boy
“I like a lot of things about being a woman, but there are times and ways it’s a prison, and sometimes I daydream about being out of that prison.” The Guardian has a crack Rebecca Solnit essay about clothing, gender, and of course, mansplaining. Pair with our review of Solnit’s The Faraway Nearby.
Literature from the Forever Wars
“All war literature, across the centuries, bears witness to certain eternal truths: the death and chaos encountered, minute by minute; the bonds of love and loyalty among soldiers; the bad dreams and worse anxieties that afflict many of those lucky enough to return home.” In an omnibus review for The New York Times Michiko Kakutani looks at the fiction and journalism being written about the wars in Iraq and Afghanistan, including recent Year in Reading alum and National Book Award winner Phil Klay‘s Redeployment and Dexter Filkins’s The Forever War, “the one book that most fluently and kaleidoscopically captures both the micro and the macro of Iraq.” She also wonders, and attempts to explain, “why has there been no big, symphonic Iraq or Afghanistan novel?”
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J.J. Abrams didn’t “write” anything. The other guy on the cover wrote the book. J.J. Abrams just supplied him with the basic outline of the story. Doug Dorst wrote “S.”
Thanks for catching that, M. I’ve edited the text to make this clear.