ICYMI, J.J. Abrams (of Lost and Star Trek fame) will release a novel — conceived by Abrams and written by Doug Dorst — in October with the enigmatic title of S. Last month, he released the first half of a teaser trailer; this week, he released the second half.
NYC-area readers are invited to an event this Friday centered on the topic of marketing literature in the age of Gawker. At 7 p.m. I’ll be moderating a panel discussion that includes novelists Fiona Maazel and Tao Lin, literary agent Erin Hosier, and Christopher Kolouris of the website Scallywag & Vagabond. The event, which doubles as a launch party for Canteen magazine’s “Hot Authors” issue, also features two bands, a DJ, and an open bar. More info at 3rd Ward.
Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren’t just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.
“There’s something about shopping for books where you’re open for anything. You’re faced with a wall of books, and you don’t know anything about most of them. At some point, it’s just you and the poems.” Carl Adamshick talks with the Los Angeles Review of Books about Powell’s and the “bookstore MFA.” Pair with our own Janet Potter‘s essay on loving bookshops.
“(The Great Gatsby) is often considered the greatest American novel of the 20th century—I waver on that sometimes but I love the beauty of its writing, its tabloid immediacy, the high body count, its modernistic touches, the relentless drama put into its novella-length form.” Bret Easton Ellis’s top ten favorite books doesn’t include many surprises, but it’s worth a look.