We celebrated Canada Day a bit early here yesterday with the news that Alice Munro won the Nobel Prize for Literature and our review of Margaret Atwood’s MaddAddam. So what is Canadian literature exactly? Atwood offered her definition for The Daily Beast: “It’s too multiple [to give a concise definition], but let us say that the point of view (if the writer is not pretending to be American, which they often are) is never that of someone who feels that their country is an imperial power. Because, in fact, Canada is not an imperial power.” You can also see The Handmaid’s Tale at the Royal Winnipeg Ballet next week.
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).
I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)