Sherlock star Benedict Cumberbatch performed a haunting interpretation of “Ode to a Nightingale” by John Keats, and the actor has also recently signed on to play Hamlet on the London stage in autumn 2014. This raises the question: is Cumberbatch the British James Franco?
“Was it a vision, or a waking dream?”
Martin Amis in The Globe and Mail
Martin Amis is interviewed in The Globe and Mail: “All my novels are feminist from about 1980 on.”
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Tuesday New Release Day: Solnit, Walls, Kwan, Sullivan, Silver, Lee, al-Shaykh
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.
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Always and Never
Nicola Griffith gives us guidelines for writing about disabled people.
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Google Knows You
Daniel Soar takes a close look at what Google is searching for in its users.
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Tuesday New Release Day: Mitchell, Hadley
It’s a quiet week for new books. David Mitchell’s Cloud Atlas, which famously became a blockbuster bestseller after being released as a paperback original, is now available in hardcover for the first time ever in the U.S., thanks to a new Modern Library Edition. Short story master Tessa Hadley has a new collection out, Married Love, (as a paperback original, coincidentally).
Comma Confessional
“One of the things I like about my job is that it draws on the entire person: not just your knowledge of grammar and punctuation and usage and foreign languages and literature but also your experience of travel, gardening, shipping, singing, plumbing, Catholicism, Midwesternism, mozzarella, the A train, New Jersey. And in turn it feeds you more experience. The popular image of the copy editor is of someone who favors rigid consistency. I don’t usually think of myself that way. But, when pressed, I do find I have strong views about commas.” Mary Norris‘s “Confessions of a Comma Queen,” from the New Yorker.
To even approach comparing Cumberbatch to James Franco is an insult of the highest order…Has he optioned numerous brilliant novels, and co-opted the lives and personae of our best poets, in order to make bad films? No. Could Cumberbatch actually play Hamlet? I guess we’ll find out, but I’d vote for YES. So he appeared in a big-budget Hollywood sequel/reboot of Star Trek…but he also appeared in Tom Stoppard’s adaptation of Parade’s End…What, o what, I ask, did Mr. Cumberbatch ever do to deserve this post? How, precisely, do the things mentioned,make the thought of comparing the two even pop into one’s head?????