Thomas Pynchon’s new novel, Bleeding Edge, which we covered in several Curiosities, is out this week. Also out: Traveling Sprinkler by Nicholson Baker; Pickett’s Charge by Charles McNair; and a new translation of Boccaccio’s Decameron by UT-Austin professor Wayne Rebhorn. (For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.)
USA Today is running an excerpt of Denis Johnson's much buzzed about new doorstop Tree of Smoke.The New Yorker Food Issue, to my mind the highlight of the New Yorker publishing year, has arrived. Somehow I look forward to this one as much as I did the Sports Illustrated Swimsuit Issue when I was twelve. Much of the good stuff isn't online, but you can get a taste of the food writing on offer with a series of short essays under theme "Family Dinner." Aleksandar Hemon, Gary Shteyngart, Nell Freudenberger, Chimamanda Ngozi Adichie, David Sedaris, Anthony Lane, and Donald Antrim are on the menu.
You can call off the search, Millions readers–we have been given the year-end list to end all year-end lists. The good people over at The Literary Hub spent countless hours poring over social media accounts to bring you the most important "best of" you'll see all year, The Biggest Cuties in Publishing.
"The first boy to kiss your mother later raped women / when the war broke out. She remembers hearing this / from your uncle, then going to your bedroom and lying down on the floor. You were at school." The poetry of Warsan Shire, Young Poet Laureate of London, does not mess around.
Another bumper crop of books this week is led by J.K Rowling's post-Potter effort, The Casual Vacancy is on shelves, as are May We Be Forgiven by A.M. Homes, Canvas by Benjamin Stein, Panorama City by Antoine Wilson, Sutton by J.R. Moehringer, Tarun J. Tejpal's debut The Story of my Assassins. On the non-fiction side, Nate Silver's long-awaited The Signal and the Noise is here, as is Neil Young's memoir Waging Heavy Peace. New in paperback: John Warner's Funny Man (the edition includes an essay by Warner that ran on The Millions) and Emma Donoghue's blockbuster The Room.