“Being a judge for the Man Booker prize has at times felt like being part of a team of archaeologists excavating some vast buried city. Once the dust has settled – after nine months of reading – you stand back to survey your labours and realise all that’s left is a small pile of gleaming fragments. I hadn’t expected the process to be quite so emotionally exhausting. Nor had I thought it would be quite so exhilarating.” In case you’re curious, a Man Booker Prize arbiter offers up his reflections on the judging process. See also: the shortlist itself, which has surprised many readers!
“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
At The Awl, James S. Murphy goes in-depth on the Stony Brook study, which I wrote about last week, that identified characteristics of historically successful books. In making a point about the publishing industry, he references the sale of our own Garth Risk Hallberg’s debut novel.
When street art and literature combine: on “The Moving, Playful Poetry of the World’s Textual Graffiti Artists,” from Slate.