Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
The Modern Memoir
Recommended Reading: On the memoir, “the offspring of the slave narrative,” as a literary form from the Black tradition. Recent examples range from Ta-Nehisi Coates and Margo Jefferson to Clifford Thompson and Rosemarie Freeney.
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Tuesday New Release Day: Sweeney; Simonson; Mahajan; Feldman; Barrett; Strong
Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
Talk About a Wonder Emporium
“This Is My Home” is a short profile of a New York City collector of oddities. His home is regularly mistaken for an antique shop, but it really strikes me as the perfect sister-store to Brazenhead Books.
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Choking Hazard
Check out new fiction from You Too Can Have a Body Like Mine author Alexandra Kleeman.
A 19th-Century It Girl
Rachel Vorona Cote takes a look at Letitia Landon's many identities and how she went on to become a cautionary tale about talented women.
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I Am Not Elena Ferrante
No surprise here — Elena Ferrante fever continues to sweep the literary world. Last week, an Italian historian was forced to deny claims that she was actually the Neapolitan novelist. Now, The Guardian takes a look at the unique history of pseudonyms and posits whether Ferrante’s mystery might outlast some famous historical masqueraders. For the unacquainted, here’s a quick piece on reading Italy through Ferrante’s work.
Amazon’s Programming
Look out, network television. Amazon’s hiring creative executives to shepherd “crowd-sourced scripts” through development.