Jonathan Raban intersperses biographical information about William Gaddis in order to give the correspondence collected in his recently published Letters greater context. There are ample details about the author’s travels in his young adulthood, his artistic frustrations over the publication of The Recognitions, and, of course, many details about the women in Gaddis’s life. “In letters to his mother,” Raban writes, “Gaddis liked to depict himself as someone repeatedly smitten by beautiful women.” (Bonus: “The Letters of William Gaddis contains five letters addressed to me.”
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
At W, a first look at American actress Rooney Mara in character as Lisbeth Salander. The relatively unknown Mara, recently of David Fincher‘s The Social Network, has been cast as Salander to Daniel Craig‘s Mikael Blomkvist in Fincher’s American film version of Stieg Larsson‘s The Girl With The Dragon Tattoo. The obvious question: does Mara have the chops to outshine Noomi Rapace‘s Salander?