As our own Nick Moran reported two weeks ago, Alice Munro has decided to retire from writing. Herewith, a timely profile of the author, courtesy of the Times. (You could also read Ben Dolnick on her last book of stories, Dear Life.)
The Work of a Good Woman
Poor Gatsby
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
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The Bolaño Myth: Wiggity Wiggity Wack?
Over at Conversational Reading, Scott covers Horaçio Castellanos Moya‘s dis of imperialist publishing suckas who be pimpin’ “The Bolaño myth.”
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Writing Mirrors
“Here is the trouble with looking for ourselves in the writers whose works we admire, at least if we are proposing to be their biographers. For if we are in search of ourselves, or in this case our own troubled teenaged selves roaming New York, then we are apt to downplay those parts of the life that don’t correspond with that need for recognition.” Anne Boyd Rioux writes about biography and the distance, good or bad, between subject and biographer for the Los Angeles Review of Books.
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Neil Gaiman Lane
The Ocean at the End of the Lane is now an actual lane. Neil Gaiman’s hometown, Portsmouth, England, named a bus lane after his novel last Sunday. Sadly, the magical Hempstock family doesn’t live at the end of it.
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TED is Dead
It’s fashionable to hate on TED all of a sudden. In the span of a month, we’ve got this piece by Nathan Jurgenson in The New Inquiry, this one by Benjamin Wallace in New York Magazine, and this one by Megan Garber in The Atlantic.
Who Pays Blogs
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