As our own Nick Moran reported two weeks ago, Alice Munro has decided to retire from writing. Herewith, a timely profile of the author, courtesy of the Times. (You could also read Ben Dolnick on her last book of stories, Dear Life.)
The Work of a Good Woman
How Could You Like That Book?
“On the other hand, I do spend endless hours mulling over the mystery of what others like. Again and again the question arises: How can they?” Tim Parks asks us why we enjoy reading what we read at The New York Review of Books. For Millions readers’ favorites, check out October’s Top 10.
Responding to Sexual Violence
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.
“I’ve escorted two e-partners to the edge of the grave”
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
The Canyons Gets a Trailer
After securing the necessary funds on its Kickstarter page, and after enduring Lindsay Lohan’s trademark version of “professionalism,” The Canyons looks like it will finally be released next month. The film, which was written by Bret Easton Ellis and directed by Paul Schrader, got its first official trailer this week.
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Might Not Our Eyes Adjust
Shall I compare thee to a wormhole? No, this essay on astrophysics and poetry coupled with a poem for Stephen Hawking is most definitely more lovely. Kalpana Narayanan wrote an essay for The Millions on physics, grief, and Paul Murray’s Skippy Dies that may pique your interest.
Whose Hasn’t?
Sergey Stefanovich’s “The Library” takes viewers through Duncan Fallowell’s library “which has spilled over into every available space and become an art installation in its own right.”
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