Alice Munro announced her retirement from writing this week. “Perhaps, when you’re my age,” she told a National Post reporter, “you don’t wish to be alone as much as a writer has to be.” Previously the Canadian author announced her retirement in 2006, but that didn’t stop her from publishing two more books – including her latest story collection, Dear Life (Millions review). The uninitiated can get a primer on her entire oeuvre by checking out our comprehensive Beginner’s Guide to Alice Munro. See also: “Can Writers Retire? Let Us Count the Ways”
“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.
“Writing is the lonely sport of sad sacks.” The Rumpus interviews Lauren Groff, who’s a bit of a Millions favorite. Here’s her Millions interview and here’s Arcadia as Janet Potter’s Staff Pick this past April. Also, here’s a #LitBeat of a Literary Death Match she competed in earlier this year, in LA.
Humans have been covering paintings, windows, and mirrors after the passing of loved ones for generations. Why do we feel the need to close off our connection to the outside world when we are grieving? Colin Dickey writes about the social, literary, and religious connotations of grief and memory at Hazlitt. At The Millions, Lidia Yuknavitch writes about channeling her grief into art.