“But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value,” Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
The Struggles of Karl Ove Knausgaard
“The kitchen was the scariest part of all, however!”
Rich Tommaso has penned an illustrated look at the Fantagraphics offices circa 1995.
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How to Backfire
Turns out the Streisand effect applies to book sales. The Wall Street Journal reports that banning a book in China causes sales to increase both at home and abroad. “These days, smothering someone is as good as crowning that person,” the article quotes a Chinese reader as saying. You could also read Deanna Fei on being a Chinese-American writer in China.
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Agency In Poetry
Recommended Reading: This interview at The Paris Review with poet Morgan Parker: “I think personal narrative is really important for the individual and for a collective and for a people. I think it’s important to have agency in that narrative. There’s so much about contemporary life where one story is written upon the person by the outside world, by circumstance.”
Amy Tan on Being the First for Some Readers
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
In Defense of Unread Books
According to Karen Hopkin, a house full of books—whether they're read or not—enhances intellectual capacity and literary habits.
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The Summer of Butterflies
In his lifetime, Vladimir Nabokov travelled widely, logging many years each in St. Petersburg, Berlin, and Ithaca, New York, where he wrote Lolita while teaching at Cornell. His peripatetic history explains why few people know he spent a summer in Utah, during which he spent a lot of time chasing butterflies and fishing in the streams. In The American Scholar, an excerpt of Nabokov in America, an upcoming book by Richard Roper. You could also read our own Garth Risk Hallberg on Nabokov’s Ada, or Ardor.
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