Live in New York? Like Flavorpill? Then you should probably mosey on down to their event on Thursday, where they’ll be listening to the songwriter Holly Miranda and talking with Lindsay Hunter about her new book, Don’t Kiss Me. (If you’ll recall, our own Nick Moran wrote about Lindsay’s work here and here.)
But Do Listen
Tuesday Means New Releases
Two hotly anticipate works by literary masters hit shelves this week. Both were “most anticipated books.” We have The Year of the Flood by Margaret Atwood and Nocturnes by Kazuo Ishiguro. The latter was written about persuasively by Lydia in recent weeks.
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Epic Fail In the Wall Street Journal
“Mr. [Mark] O’Connell is an intelligent and very funny writer,” says Barton Swaim in The Wall Street Journal. “But Epic Fail will also prompt you to consider how shallow—and ugly—humans can be.” (Bonus: a reference to getting pitted, just so pitted.)
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Hear the Bells
“The findings revealed that across the board, nearly 80 percent of those surveyed who worked in publishing self-identified as white. In Marketing and Publicity, 77 percent were white. These are people who make decisions on how to position books to the press and to consumers, and if and where to send authors on tour — critical considerations in the successful launching of any publication. For writers of color, the lack of diversity in book publicity departments can feel like a death knell.” On the lack of representation in book publishing and publicity campaigns.
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Beckett’s Bones
80 years ago Samuel Beckett’s publisher rejected his short story “Echo’s Bones” because it gave him the “jim-jams.” The 13,500-word piece on the afterlife was intended for More Pricks Than Kicks until his editor Charles Prentice claimed, “People will shudder and be puzzled and confused; and they won’t be keen on analysing the shudder.” Fortunately, it will finally be published by Faber and Faber on April 17.
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Will the real Don Draper please stand up?
Chicago Magazine‘s charming 2009 profile of Draper Daniels, a.k.a. the real life Don Draper, written by Myra Janco Daniels, a.k.a. his wife.
“He was always doing so”
The book Wretched Writing is exactly what you think it is: a compendium of artless puns, dead metaphors and drama-turned-accidental-comedy. At The American Spectator, Matthew Walther takes a tour.
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In This Here Place
“In this here place, we flesh; … Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it.” Toni Morrison‘s Beloved as featured in a powerful essay by Allyson Hobbs for The Root about black life, Philando Castile, “and the trauma that remains.” See also: a consideration of parallels between Morrison’s Pulitzer Prize-winning epic and The Odyssey.
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