“Maybe I [felt] a shift in responsibility when I had kids. I wanted the work I was doing, whatever it was, to be something that could be meaningful to them one day. That’s where the germ of the memoir came from. I thought that perhaps writing about my parents and where I came from would one day be helpful for my kids.” For Guernica, Christopher Kondrich interviews Tracy K. Smith about writing a memoir, the presence of David Bowie in her Life on Mars, and her reverence for the cosmic. Also check out Sophia Nguyen’s Millions review of Smith’s memoir, Ordinary Light.
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate…Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.