John Sunyer checks in with Franco Moretti at the Stanford Literary Lab. Moretti, a 63-year-old professor of English, is the author of Distant Reading – a book in which he lays out his long-held belief that “literary study doesn’t require scholars to actually read the books.” Rather, he believes in a “new approach to literature [that] depends on computers to crunch ‘big data,’ or stores of massive amounts of information, to produce new insights.”
“What’d You Major In?” “Big Literary Data.”
Everyone’s Writing
“Every month, Literary Hub, Electric Lit, and Catapult engage more than two million people with serious writing and contemporary writers, instead of leaving them to play Candy Crush or what-have-you.” Meet the man behind Lit Hub, Electric Lit, and Catapult, Andy Hunter. For reflections on the world of print, Nick Ripatrazone writes on the literary magazine and getting paid.
“Scatter[ing] lightning and lawn debris across your psyche.”
The estimable New York Times Magazine profiled Patricia Lockwood this week, and in the process printed the phrase “tit-pics” for probably the first time in the Grey Lady’s history. Lockwood’s name should be no stranger to Millions readers, of course, as I’ve previously steered readers’ attention toward The Poet Laureate of Twitter’s works in the past (such as this one, and this one, and this one, too.) As a bonus, Dwight Garner reviewed her latest collection, Motherland Fatherland Homelandsexuals, for the paper as well.
Tuesday New Release Day: Robinson, Groff, Julavits, Arvin, Leonard
New this week is Marilynne Robinson’s collection of essays When I Was a Child I Read Books. Also out are Arcadia by Lauren Groff, The Vanishers by Heidi Julavits, and The Reconstructionist by Nick Arvin. Finally, the collected writings of the late and beloved critic John Leonard, Reading for My Life, is now out.
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To Paraphrase Potter Stewart
“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen’s Little Labors.
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Reading about Reading
Recommended Reading: Clare Beams writes for Ploughshares about the effect of reading a story in which someone reads a story.
Tuesday New Release Day: Gass, Dee, Gaddis
New this week: Middle C by William H. Gass, A Thousand Pardons by Jonathan Dee, and the Letters of William Gaddis.
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Wow. That is incredibly depressing.
During my ill-advised attempt to major in pre-med, I dissected an annelid worm to learn about its anatomy and ended up with a mushy mess. Reminds me of this.
Went to see an absolutely wonderful film “The Reluctant Fundamentalist” recently. There is a scene set in Istanbul. The lead character’s New York investment company has come to evaluate a struggling Turkish publishing company for a possible takeover and asset sale. One of the investment bankers comments that he had “evaluated” several other publishing companies during a meeting with the local publisher. The latter commented (to paraphrase) ‘So you think you can you evaluate me?” There are a million implications in the way the actor delivered that line.