John Sunyer checks in with Franco Moretti at the Stanford Literary Lab. Moretti, a 63-year-old professor of English, is the author of Distant Reading – a book in which he lays out his long-held belief that “literary study doesn’t require scholars to actually read the books.” Rather, he believes in a “new approach to literature [that] depends on computers to crunch ‘big data,’ or stores of massive amounts of information, to produce new insights.”
“What’d You Major In?” “Big Literary Data.”
Zuccotti Park: Day 10
An n+1 writer revisits Zuccotti Park to find Michael Moore reporting for MSNBC on the tenth day of the protest against financial inequity.
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Art Within Art Within Art Within
The Public Domain Review and Berfrois heard you’re a big fan of paintings so they rounded up paintings with other paintings inside of them.
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Moments of Being
In an essay for TriQuarterly Lia Purpura writes about Virginia Woolf‘s “moments of being” and their importance for contemporary writing. “Woolf’s particular flavor of modernism is rooted in the drive to gather, hold, and deepen moments, to make the shimmering moment of perception the base upon which “reality” rests. Her sensibility honors the fleeting, fragile instances of a person’s life.”
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Legs All the Way to the Sofa
“It is hard to see why anyone would abandon the generous Pearce Sectional Sofa, so we must assume that whomever was under that cozy throw was taken by force. More signs of abduction: reading glasses left atop a rare antique encyclopedia, a half-finished glass of wine, and a decorative conch shell that has tumbled to the floor, not to mention the wide-open French doors.” Pottery Barn catalogue descriptions written by an aspiring crime novelist.
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The Graveyard Movie
Neil Gaiman’s 2009 Newbery medal winner, The Graveyard Book, was originally supposed to be adapted into an animated film. Now, however, it looks like Ron Howard might take the project’s reins and shoot it in live action.
Wow. That is incredibly depressing.
During my ill-advised attempt to major in pre-med, I dissected an annelid worm to learn about its anatomy and ended up with a mushy mess. Reminds me of this.
Went to see an absolutely wonderful film “The Reluctant Fundamentalist” recently. There is a scene set in Istanbul. The lead character’s New York investment company has come to evaluate a struggling Turkish publishing company for a possible takeover and asset sale. One of the investment bankers comments that he had “evaluated” several other publishing companies during a meeting with the local publisher. The latter commented (to paraphrase) ‘So you think you can you evaluate me?” There are a million implications in the way the actor delivered that line.