Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.
40 Towns, An Experiment in Literary Journalism
Joke’s On You
“How many male novelists does it take to screw in a lightbulb?” At The Toast, Mallory Ortberg writes some great jokes to use at your next cocktail party.
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True Tragedy
“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
Poor Gatsby
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
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An Interview with Justin Taylor
Writers who know literature: Bookslut’s Mark Doten talks Kierkegaard, Derrida, Bataille, Sinclair and Faulkner with Everything Here is the Best Thing Ever author Justin Taylor.
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Everything I Despise
Can you tell the difference between complaints by Jonathan Franzen and YouTube comments about the evils of saggy pants?