“There is something ersatz, if not quite fraudulent, about [Alain] de Botton’s entire intellectual enterprise.” At The Los Angeles Review of Books, Lisa Levy throws down the gauntlet.
The School of Life
Beholden Like Us
It may comfort you to know that Susan Orlean claims to have “a sad dependence” on her iPhone. The New Yorker staff writer, who published an article (paywall) on the Twitter account Horse_ebooks this week, tells Bobby Finger that she had to buy a new battery case because she ran through the charge on her phone by the middle of the day.
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Paying Hommage
There’s a new literary magazine on the digital shelves. The Neu Jorker is “an hommage d'triomphe” to a magazine with an eerily similar name.
A Sentimental Journey
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
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The Vulture Circles
New York magazine's Vulture Reading Room series, featuring Sam Anderson and others, dares to take on Dan Brown's The Lost Symbol. The verdict? Brown's stylistic overreach is still good comic fodder for discerning readers.
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A Reader’s Rebellion
"Trusting the literary press and the mechanisms of the market to curate the books we read and study is to hand over whole regions of literary curiosity and judgment before one even picks up a book." On refusing to read. We're not prepared to go quite that far, instead preferring our own Sonya Chung's practice of not finishing books.
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Leap Before You Look
Can the art of teaching art actually be exhibited? A new exhibition at the Institute of Contemporary Art in Boston about the one-time Asheville, NC institution Black Mountain College asks just such questions. Black Mountain College was a controversial, short-lived bastion of free-thought and artistic expression which hosted such figures as Josef Albers, John Cage, and Robert Creeley from 1933 to 1957.
Save Me the Waltz
"It is the persistent, damning mischaracterisation of Zelda as 'insane' that most needs undoing. The trouble lies in the diagnosis she was given in 1930: 'schizophrenia'. While today we know it to mean severe mental illness requiring delicate and often lifelong treatment with medications, therapies, and sometimes institutionalisation, in Zelda’s time it was a catch-all label for a range of emotional difficulties." Reexamining the life and reputation of Zelda Fitzgerald.
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“There is something ersatz, if not quite fraudulent, about [Alain] de Botton’s entire intellectual enterprise.” At The Los Angeles Review of Books, Lisa Levy throws down the gauntlet.
I’ve been checking out Mr. de Botton’s books since 1998. Ersatz? Hoooey. Fraudulent? How dare you!
I find his mind limpid, curious, original, and congenitally non-elitist (and that’s coming from a blue collar gal). Loved his book on travel. Who else had the concept of “traveling” around the four corners of your own bedroom, and had the openness to “see” so much there? Who else set up his work desk smack in the middle of a busy airport terminal to chat and converse with the teeming crowd?
In addition, I think de Botton has a special talent for distilling complex ideas into a deceptively simple form. Not as easy as it looks.
Finally, if there’s any harm in folks gathering together at a London storefront after work to discuss Love, Travel, Sex, and everything else rather than sit brain-dead before the telly, I’ll never be the one to see it.
A sour and axe-grindish article, Los Angeles Review of Books!
Sincerely,
Maureen Murphy
(“Moe Murph”)