The National Theater in London plans on adapting Behind the Beautiful Forevers into a stage production, reports John Williams. Don’t miss Paul Morton’s Millions interview with Katherine Boo from last year.
“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
Print out your playing cards and start sifting through the comment sections of negative book reviews. It’s a new game called “bad review bingo.” (inspired in part by the frothy commenters to our own Janet Potter’s blistering review of Stieg Larsson’s Millennium Trilogy.)
The Times has announced its long-awaited (and -feared) digital subscription plan: “Under the plan, which begins on March 28, visitors to NYTimes.com will be able to read 20 articles a month free. The most frequent users will pay $15 a month; print subscribers will have unlimited access.” A letter to readers about the plan from Publisher Arthur Ochs Sulzberger Jr.
Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.