At the LARB, Len Gutkin interviews Year in Reading alumnus William H. Gass, whose new novel, Middle C, incorporates techniques of twelve-tone composition. (In case you missed it, I wrote about the book a few weeks ago.)
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)
New this week: My Name Is Lucy Barton by the Pulitzer laureate and Year in Reading alumna Elizabeth Strout; The Happy Marriage by Tahar Ben Jelloun; And Again by Jessica Chiarella; American Housewife by Helen Ellis; Your Heart Is a Muscle the Size of a Fist by Sunil Yapa; This Census-Taker by China Miéville; Eleanor by Jason Gurley; The Dogs of Littlefield by Suzanne Berne; and Even the Dead by John Banville's alter-ego Benjamin Black. For more on these and other new titles, check out our Great 2016 Book Preview.
Last week, I followed up the news that “because” may now be used as a preposition by noting that the American Dialect Society had named it their Word of the Year. Now, in The New Republic, John McWhorter argues that the new preposition is used to signal empathy and warmth. (Related: Fiona Maazel on the dangers of bad grammar.)