At the LARB, Len Gutkin interviews Year in Reading alumnus William H. Gass, whose new novel, Middle C, incorporates techniques of twelve-tone composition. (In case you missed it, I wrote about the book a few weeks ago.)
Not familiar with Zora Neale Hurston or just need to brush up in preparation for her birthday? Liz Dwyer has got you covered. “Through the #MeToo movement we’ve read the stories of how calling out sexual harassment and the patriarchy has ruined women’s careers. Similarly, Hurston was shunned and derided by many of her male compatriots in the Harlem Renaissance for creating one of the first strong, black, and sexually aware female protagonists of 20th century American fiction.” Hooked yet? After you finish, read this essay by our own Jeffrey Colvin on visiting Zora’s birthplace and his sister.
“When we think of novels, we often think of chunks of time and the action during those periods. But when I think of time, my teenage years particularly, I think of relationships.” Recent Year in Reading alum Darcey Steinke talks with The Rumpus about being a teenage girl, motherlessness, “quiet” books and her new novel, Sister Golden Hair.
Two off-site appearances in as many months from our otherwise relatively reclusive editor, C. Max Magee? And both times invoking the theme of lost adolescence? Something’s afoot! Last month, Max dropped by The Morning News‘ booth for the Tournament of Books’ zombie round, and now he’s joining a star-studded cast at The Awl to answer the question, “What Books Make You Cringe To Remember?”
“We’re both gay boys from the south, and we both write about growing up in places that deny the value and dignity of LGBTQ lives.” Garth Greenwell and Garrard Conley are headed to North Carolina! It’s not too late to catch the duo as they hit the second leg of their reading/anti-HB2 events across the Old North State.
We’re a little late to The Guardian‘s Families in Literature series, which includes essays on everyone from the March sisters to the Moomins and has been running for the last few weeks. A particular favorite is Moira Redmond‘s look at Brideshead Revisited‘s Flytes and the strange but true power of falling in love with an entire family, which pairs well with our own Lydia Kiesling‘s Modern Library Revue of the novel.
“Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way…” Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.