“The C closest to the center”

Personal favorite: why Joan Didion writes.

“And so the book we have available to us is not the one she intended for us to see — and to those who knew her only as the private spouse of a public figure, Michelle McNamara emerges from these pages as much of a mystery as the Golden State Killer does, gone in the dark.” In Vulture, a profile of the late true crime writer Michelle McNamara whose book, I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, was published last week. From our archives: an essay on why one writer reads true crime novels. 

New this week: A Gambler’s Anatomy by Jonathan Lethem; The Fall Guy by James Lasdun; No Knives in the Kitchens of This City by Khaled Khalifa; Mister Monkey by Francine Prose; The German Girl by Armando Lucas Correa; Truevine by Beth Macy; Love for Sale by David Hajdu; and The Loved Ones by our own Sonya Chung. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.

“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry. 

“Produce like no one is listening. Distribute like nobody’s watching. Contribute like you’ve never been hurt.” Here is lil’ sweetheart Karl Marx like you’ve never seen him before — what a romantic!