In the LA Times, Jim Ruland reviews Middle C, the new book by Year in Reading alumnus William H. Gass. For another take on the novel, go read “best-read man in America” Michael Dirda in the Washington Post, or else check out Greg Gerke on the author’s Life Sentences.
“The C closest to the center”
A Poor Man’s Jaron Lanier?
I recently sat down for a long and wide-ranging interview with The Faster Times. Topics covered include technology, Taco Bell, technology, Richard Yates, technology, Friday Night Lights, and…er…Internet self-promotion.
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Millions Milestone
The Millions turned eight years old last week. We appreciate your support, which has helped to keep The Millions growing and thriving. Thank you!
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Why Publishers Matter
A memo leaked from within Hachette Book Group can be read as a publisher’s manifesto, or an overview of why publishers and editors are still relevant. Maybe we can incorporate this into Edan’s reasons not to self-publish this year.
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Professor Gaiman
Comic book creator, novelist, screenwriter, journalist, lyricist — is there anything Neil Gaiman hasn’t done? He can add professor to his already impressive resume soon. Gaiman will be joining the Bard College faculty and teaching an advanced fantasy fiction workshop in the 2014 spring semester. Also, he recently spoke to NPR about Sandman.
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Franzen on Film
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
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Talking Seveneves
Recommended listening: David Naimon talks with Neal Stephenson about his new novel, Seveneves. Pair with Chris Barsanti‘s Millions review.
Tana French’s Accidental Writing
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
I posted a neat interview with Greg Gerke about his experience with William Gass on my podcast, The Virtual Memories Show, if you’d like to check it out: http://chimeraobscura.com/vm/podcast-sound-before-story