New this week: All That Is by James Salter, Life After Life by Kate Atkinson, Woke Up Lonely by Fiona Maazel, The Flamethrowers by Rachel Kushner, The Mermaid of Brooklyn by Amy Shearn, The Odds Against Tomorrow by Nathaniel Rich, and Our Man in Iraq by Robert Perisic.
Tuesday New Release Day: Salter, Atkinson, Maazel, Kushner, Shearn, Rich, Perisic
Mad, Bad, and Healthy to Know
"It was spring. Byron was leaving England forever, a cloud of infamy hanging over him. (He is one of the few people you can write something like that about and have it be true; that is part of why he's so satisfying.)" Via The Awl: the adventures of John Polidori, literary vampire and doctor to Lord Byron.
The Signature of Style
"They say 'kill your darlings,' but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!" Elisa Gabbert pens Electric Literature's "Blunt Instrument" column, which this month involves how to find one's style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.
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The Art of the Sentence
"If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest [Hemingway] walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead." Adam Haslett takes on Stanley Fish, Strunk & White, and the art of writing a sentence.
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Abandon All Carts
If you’ve read the Inferno, you’ve journeyed with Dante and Virgil to the ninth circle of Hell. At McSweeney’s, you can go grocery shopping with them. “Abandon all carts, ye who enter here.”
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The Long Littleness
A young Apollo, golden-haired,
Stands dreaming on the verge of strife,
Magnificently unprepared
For the long littleness of life.
See the poet (in later life) here; and the poet-soldier about whom she wrote, here.
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Speaking like Shakespeare
"What did Shakespeare’s English sound like to Shakespeare?" A father and son team are working to answer this question, recover Shakespeare's original pronunciation and perform his plays in the new-old style, and lest this sound like a silly exercise in scholarship consider that "two-thirds of Shakespeare’s sonnets.... have rhymes that only work in [Old Pronunciation]."
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B|ta’arof Launches A Poetry Series
B|ta’arof – which launched last year – announced a new poetry series featuring translations of “contemporary poems written in Persian and translated into English by emerging poets and scholars in the Iranian diaspora.” The translations will be accompanied by brief interviews with the translators, each consisting of the same five questions. “The idea,” according to the mission statement, “is to pull back the curtain on the process of translation, revealing how it is subject to individual choices and proclivities—the first choice being what poem to even translate.”
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