“How I wish he’d stuck to being himself. Instead, he chose to be me.” How it feels to have one’s poetry plagiarized.
The Plagiarist
Proust’s Lost Time
Between June 2009 and December 2010, Michael Norris explored Marcel Proust’s In Search of Lost Time, in a series illustrated with original artwork by David Richardson. Litkicks has posted the entire stunning sequence on its site.
Please, Sir, I’d Like Some More Time
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
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Highly Recommended
The New York Times recommends eight new books it thinks you’ll like, including Alan Moore‘s Jerusalem, which we reviewed last month, and two novels – Jonathan Lethem‘s A Gambler’s Anatomy, and Jade Chang‘s The Wangs vs. the World – that were on our own most-anticipated October list.
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Only Humbled
From McSweeney’s: These opening remarks made by John Hodgman at a literary reading shortly after September 11, 2001. This study on the literature of 9/11 from A-J Aronstein at The Millions is a sobering, related piece.
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Saving the Wicked Stepmother
Recommended Listening: “I wanted to rescue the wicked stepmother,” Helen Oyeyemi said in an interview with NPR about her new book, Boy, Snow, Bird (which made our 2014 book preview.)
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Haute Bayou
Just in time for crawfish season (and ruined outfits as a result of crawfish season), The Oxford American‘s launched its newest column, Parish Chic, brought to you by L. Kasimu Harris. It’s meant to prominently showcase the beaucoup styles on display in New Orleans, Harris’ hometown. You can read about the project’s background and inspiration over at Gambit: The Best of New Orleans.