“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Downton Abbey, meet Arrested Development: Arrested Downton. Speaking of the stunningly popular Downton, The Missouri Review is having a “non-contest;” enter by channeling the voice of your favorite author to describe the world of the show. Our own Garth Risk Halberg might be able to help you out, with his essay on Downton‘s literary pedigree.
“It may be true… that the internet will turn out to be ‘a giant empathy machine.’ And yet, as any reader knows, we’ve already had one for centuries.” Drew Calvert reviews The Novel: A Biography for the Los Angeles Review of Books and provides an argument for the novel in the digital age.