Is it another Beyoncé/Lemonade thinkpiece? Yes. Is it also more than that and worth your time to read? Yes. Terryn Hall at The Rumpus on Beyoncé, Erykah Badu, and being a black woman in the South: "Although Beyoncé is not ‘literary’ in a traditional sense, she’s using her power to usher in new black poetic (Warsan Shire) musical (Ibeyi, Chloe and Halley Bailey) and modeling (Jourdan Dunn, Zendaya) talent in a manner similar to that of the literary patrons of yesteryear."
Jonathan Lethem thinks his work is taken too seriously. "Well, I was just watching Richard Pryor, and he says, 'When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, "Oh, she’s not with me."' 'You write the big, ambitious books, right?' Well, I guess they are," he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.
Infographic of the Week: Famous authors had day jobs, too. Check out this infographic from Adzuna to find out what J.M. Coetzee, George R.R. Martin, J. K. Rowling, and more did before (or while) they published novels. Our own Emily St. John Mandel writes about the struggle to balance a day job and a creative life.
Back in 2013, Ted Gioia wrote a piece for The Millions about an old sci-fi novel that correctly predicted the future. Since then, he’s embarked on an ambitious project that expands on his interest in sci-fi, exploring how the most radical sci-fi writers of the sixties paved the way for much of modern fiction. As he puts it, “I focus on this era in the history of sci-fi because it laid the groundwork for one of the most important developments in current-day fiction."
Following Sarah Hepola's devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu's piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.