If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
Over at Electric Literature, Lincoln Michel wonders “What’s Wrong with Only Reading Half a Book?” Pair with our own Sonya Chung‘s essay on her list of unfinished reads and the art of “breaking up with books.”
“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
Out this week: Good on Paper by Rachel Cantor; Girl Through Glass by Sari Wilson; Unspeakable Things by Kathleen Spivack; On the Edge by Rafael Chirbes; The Unfinished World by Amber Sparks; and Fine, Fine, Fine, Fine, Fine by Diane Williams. For more on these and other new titles, go read our Great 2016 Book Preview.