If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
Joshua Rothman writes for The New Yorker about Virginia Woolf, Mrs. Dalloway, privacy and “a gift that you’ve been given, which you must hold onto and treasure but never open.”
Year in Reading alum Susan Orlean’s next book will be entitled The Library Book. It will be “a love letter to an endangered institution, exploring their history, their people, their meaning and their future as they adapt and redefine themselves in a digital world.” The book will focus in particular on the unsolved 1986 razing of the Los Angeles Central Library.
There’s been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she’s doing to improve the situation by publishing women writers and artists in works like the Ladies’ Night Anthology. As she says, “I’m motivated in no small part by being able to say to those ‘make your own’ strawmen, ‘I do. I’m an editor contributing to published comic books. Are you?'”
Right on the edge of Banned Books Week, Rainbow Rowell discusses when Minneapolis’s Anoka-Hennepin school district, the county board, and the local library board censored her from coming to speak about her YA novel Eleanor & Park. “When these people call Eleanor & Park an obscene story, I feel like they’re saying that rising above your situation isn’t possible,” she says.
Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.