If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
Two Takes on Red Doc>
My Brah Horatio
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Dispatch from North Korea
Recommended Reading: A short story collection by an anonymous North Korean author was smuggled out of the country and will be published in English next year.
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Profile of Rick Moody
At the Hartford Advocate, Craig Fehrman talks to Rick Moody about his “perplexing” career and latest novel, The Four Fingers of Death: “Moody isn’t the worst writer of his generation, but he is one of the most successful ...”
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Melville House’s Hybrid Books
Emily Witt checks out Melville House's new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”
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Neil Gaiman Nachos
Neil Gaiman's writing gets compared to "a great bowl of nachos" in Nikki Steele's food-focused review of The Ocean at the End of the Lane. Pair with: our own Nick Moran on how his favorite books influence his appetite.
Out of Sight
On the New Yorker’s Elements blog, our own Mark O’Connell writes about Cloak, a new app which lets you avoid people you don’t want to bump into by accident. Despite the fact that Mark can see himself using the app, he finds it “ultimately troubling,” in large part because it strikes him as “such a lonely thing to have achieved through technological control of our social environments.” (Speaking of apps, have you read Mark’s epic e-book?)
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