Anne Carson sits down for a profile with the New York Times, and the results are anything but traditional.
“The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide.” Joshua Rothman writes about the coming “collapse of the genre system” and our own Emily St. John Mandel‘s National Book Award short-listed Station Eleven for The New Yorker.
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”
For Electric Literature Jennifer Baker interviews Yahdon Israel who hosts the weekly literary interview series LIT on Youtube. On his inspiration for starting the show; “I watch a great deal of interviews on the Breakfast Club, James Lipton’s Inside the Actors Studio, Sway in the Morning, Hot 97, Between Two Ferns. And the people who are seldom interviewed are writers. In many ways being Black has taught me to notice what isn’t there. That lens lends itself to what I notice about pop culture: We’re missing from the conversation. Better put: We’re not included. And by “we” I mean writers.” Watch the show and subscribe, some interviews include Kaitlyn Greenidge, Claire Messaud, Victor LaValle and Jesmyn Ward.