Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”
Lydia Millet, Dark Princess of Love
The Voyage of the Poet
“I think what I would really most like to write about is palm trees and bougainvillea and hummingbirds. I would like to go into the desert and write about salamanders and the Grand Canyon, but history keeps rupturing my experience because politics are everywhere.” National Book Award winner Robin Coste Lewis on overcoming brain damage and becoming a poet. Pair with Andrew Kay’s Millions essay on the power of poetry.
‘The Very Hungry Caterpillar’ Turns 50
Since its publication 50 years ago, Eric Carle's classic picture book, The Very Hungry Caterpillar, has been translated into more than 62 languages.
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How to Win a National Magazine Award
Medium spells out how to win a National Magazine Award. Your article should be over 6,500 words. (It also helps if you are a man.) Deena Drewis writes about sexism in our categorizations of women’s writing.
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What’s That Type?
For all typography enthusiasts and lovers of browser plugins: Chrome has a new extension, FontFace Ninja, that will tell you the font of any text on any webpage.
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Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
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“We call it Book”
Old but still as timely as ever: The latest and greatest in cutting-edge reading technology from Penny Arcade.
The Truth Hurts
Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes … it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.