Skip the overpriced coffee today and treat yourself to the entire Hunger Games trilogy (on Kindle) for the low, low price of $5.
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo’s. The site of the “Who Lets The Dogs Out” video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo’s defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB’s and Will Smith’s “Miami” video. Still, even that’s insufficient, so I recommend reading the Miami New Times‘ epic chronicle of the place’s history.
Out this week: All My Puny Sorrows by Miriam Toews; The Letters of TS Eliot: Volume 5; Rocket and Lightship by Adam Kirsch; The Unspeakable: And Other Subjects of Discussion by Meghan Daum; and a single-volume edition of Jeff VanderMeer’s Southern Reach trilogy. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
“I was performing an experiment. I wanted to see [how] one of the greatest minds in history would be affected by an experience he had never had before: imbibing a suitable dose of clinical LSD in a desert setting of great magnificence, and then adding to that various kinds of entertainment.” An oral account of a 1975 trip to Death Valley with Michel Foucault.
This one is for all you antiquarians out there. The oldest known draft of the most widely read work in all of English literature, the King James Bible, has been discovered in the archives at Sidney Sussex College in Cambridge. William Shakespeare’s books have also sold a ton of copies, and here’s an essay from The Millions that imagines him as a kind of God, Himself.
The second issue of the new journal Music & Literature is a feast for Krasznahorkai enthusiasts and neophytes alike, with some 70 pages of previously untranslated fiction, interviews, and essays, along with critical context on the “Hungarian Master of the Apocalypse.” Alas, only George Szirtes‘ essay and an interview with translator Ottilie Mulzet are available digitally. But the complete analog package is highly recommended.
As if demonstrating exemplary literary skill weren’t enough, some overachieving authors were accomplished visual artists as well, notes AbeBooks in a roundup of talent that includes e e cummings, Günter Grass, Herman Hesse, and Jack Kerouac. Consider also our own Bill Morris on artists who channel writers in their own aesthetics.