Margaret Atwood’s got a new book called Positron out, and she’s going digital: the novel is being published serially via Byliner.
Brave New Serial
Diving Into the Wreck
It’s time for a game of critic versus critic: at the Nation and the Huffington Post, respectively, Ange Mlinko and Carol Muske-Dukes consider and reconsider the poetry of Adrienne Rich.
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“Murakami, who is nothing if not ambitious, has created a kind of alternative world, a mirror of ours, reversed.”
Though coverage of Haruki Murakami‘s 1Q84 has been ubiquitous this month (appearing on this site as well), it is always worthwhile to read the inimitable New York Review of Books‘ take on such things.
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Tuesday New Release Day: Sayles, Mieville, Theroux, Habila, Drabble, Donoghue, Cronin
The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.
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PW Reviews Late American Novel and More
The book I co-edited, The Late American Novel: Writers on the Future of Books, got its Publishers Weekly review this week – a very nice writeup. Also spotted this week, a longer consideration of the book at tumblr Feriatus.
Where Are All the Middle Age Women?
“Here’s a challenge for you: find a book jacket that features an image of a woman over 40.” Despite being one of the biggest consumers of books, The Guardian writes about the lack of middle-aged women on book jackets. Pair with: an essay on the sexy-backed, faceless-woman book cover trend.
Sarah Palin, White Goddess
N+1’s Marco Roth turns in an ambitious and historically nuanced exploration of white grievance in a putatively postracial America. Highly recommended.
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Considering the first installment was released in March 2012, and that Atwood’s already produced three don’t know if this qualifies as having a new book out.